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At the seminar this morning Tina Kinsella presented some research on Bracha Ettinger’s art practice, philosophical and psychoanalytical position. Using these as a compliment to a reading of Jean Luke Nancy’s personal account of his heart transplant. Evesdropping from the bed on the other side of the dividing curtain was a strange halfway place for me. I could hear the discussion but not see the images under discussion, the body language and eye contact of the participants. It felt as if I was present, but not … a frustrating, liminal place to be.
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